Margaret Ferguson ~ PDF download

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Margaret’s sampler is offered to you in two different formats ~ as an instant PDF download and as a printed booklet. Details of the printed booklet can be found HERE.

 

What a pretty sampler the nine-year-old Margaret Ferguson stitched. Using wool and a slightly uneven linen of approximately 31/33 count, the young girl worked a stunning floral border with a profusion of Scotch roses. A wonderful achievement for such a young child!

When studying Margaret’s sampler, the eye is drawn to the house with a blue slate roof that is flanked by trees that are heavily laden with pink blooms. Margaret tells us that the house is the Manse of Harlaw. The house that she stitched is very true to the actual building. Old photos of the Manse can be found on the website canmore.org.uk.

Known today as Harlaw House, this grand Victorian home is set in three acres of grounds and can be found near Inverurie in Aberdeenshire, in the North East of Scotland. Today, Inverurie is a prosperous town whose history stretches back well over a thousand years. It lies in a strategically important location on the north bank of the River Don, opposite Port Elphinstone, and on the west bank of the River Urie. As a result of its location it has seen conflict more than once in its history.

The house stands in an elevated position with spectacular views over the surrounding Aberdeenshire countryside. It has two stories, 3 windows harled with margins, and 3 gablets over the first-floor windows. It was designed by the architect William Henderson as a manse for the Free Kirk and was completed circa 1843. The church has long since disappeared.

Without more information, we are unable to say with any certainty which of the several Margaret Fergusons that can be found in census returns for the late 1800s stitched this stunning sampler. It is such a shame that we are unable to tell this gifted needleworker’s story. A lesson to us all about recording our information on our work in the hope that our stitching will enchant needleworkers in the 22nd century and beyond in the same way that we are today by the needlework of yesteryear!

The sampler is predominantly worked with cross stitch laid over two threads of linen. The window panes in the house are worked in satin stitches. The sampler is suitable for confident beginners through to advanced needleworkers.

The reproduction of Margaret’s sampler has been a team effort. Her sampler has been painstakingly charted by Sandra Moffitt, her booklet produced by Nicola Parkman, and the model lovingly stitched by Leona Sweeney. At the very core of Hands Across the Sea Samplers there is a team of needleworkers who are passionate about antique samplers and being able to share those samplers with you.

There are 4 versions of the pdf. You will be able to download any or all of the following pdf and graph versions:

Version 1 ~ A twenty-page colour chart.

Version 2 ~ A one-page colour chart (intended to be viewed/used on your tablet, phone, laptop, or computer).

Version 3 ~ A twenty-page black and white symbol chart.

Version 4 ~ A one-page black and white symbol chart (intended to be viewed/used on your tablet, phone, laptop, or computer).

 

Thread Legend

Margaret’s beautiful sampler has been reproduced using a palette of twenty-one colours. The model was stitched using Soie 100.3 from Au Ver à Soie. We have included below conversions for Soie d’Alger and DMC. Unless specified below only one spool or skein will be required.

  1 strand of Soie 100.3 on 46 to 56ct  linen      022 Golden olive ~ light 134 Apricot ~ light 152 Moss green ~ dark 199 Olive green ~ medium 240 Yellow ~ medium 247 Mustard ~ light 284 Terracotta ~ light 303  Golden olive 328 Khaki green ~  ** this colour is in short supply, the recommended substitute is #658 329 Olive green ~ light 425 Tan ~ light ** this colour is in short supply, the recommended substitute is #634 494 Salmon ~ medium 616 Golden olive ~ very dark 644 Coral ~ dark 652 Navy blue 654  Fern green ~ dark 655 Coral 673 Beige grey ~ ultra dark 685 Turquoise 755  Grey green ~ very dark Noir Black   1 strand of Soie d'Alger on 36 to 46ct linen 124 Turquoise 523 Golden olive ~ light 524 Golden olive 526 Golden olive ~ very dark 622 Yellow ~ medium 1414 Navy blue 1746 Grey green ~ very dark 1844 Fern green ~ dark 2144 Moss green ~ dark 2212 Olive green ~ light 2223 Olive green ~ medium 2633 Terracotta ~ light 2642  Apricot ~ light 2643 Coral 2645 Coral ~ dark 2932 Salmon ~ medium 3344 Beige grey ~ ultra dark 3713 Khaki green ~ light 3832 Mustard ~ light 4522 Tan ~ light Noir Black   2 strands of Soie d'Alger on 28 to 32ct linen 124 Turquoise 523 Golden olive ~ light 524 Golden olive 526 Golden olive ~ very dark 622 x 2 Yellow ~ medium 1414 x 2  Navy blue 1746 Grey green ~ very dark 1844 Fern green ~ dark 2144 x 2 Moss green ~ dark 2212 Olive green ~ light 2223 x 2 Olive green ~ medium 2633 Terracotta ~ light 2642  Apricot ~ light 2643 Coral 2645 x 2 Coral ~ dark 2932 Salmon ~ medium 3344 Beige grey ~ ultra dark 3713 x 2 Khaki green ~ light 3832 x 2  Mustard ~ light 4522 Tan ~ light Noir Black   1 Strand on DMC 40 to 46ct linen 310 Black 336 Navy blue 349  Coral ~ dark 351  Coral 372 Mustard ~ light 437 Tan ~ light 520 Fern green ~ dark 580 Moss green ~ dark 597  Turquoise 733 Olive green ~ medium 734  Olive green ~ light 743 Yellow ~ medium 829 Golden olive ~ very dark 832 Golden olive 833 Golden olive ~ light 924 Grey green ~ very dark 3013 Khaki green ~ light 3712  Salmon ~ medium 3778 Terracotta ~ light 3790 Beige grey ~ ultra dark 3824 Apricot ~ light   2 Strands on DMC 36ct linen 310 Black 336 Navy blue 349  Coral ~ dark 351  Coral 372 x 2 Mustard ~ light 437 Tan ~ light 520 Fern green ~ dark 580 Moss green ~ dark 597  Turquoise 733 Olive green ~ medium 734  Olive green ~ light 743 Yellow ~ medium 829 Golden olive ~ very dark 832 Golden olive 833 Golden olive ~ light 924 Grey green ~ very dark 3013 Khaki green ~ light 3712  Salmon ~ medium 3778 Terracotta ~ light 3790 Beige grey ~ ultra dark 3824 Apricot ~ light   2 Strand on DMC 36ct linen 310 Black 336 Navy blue 349  Coral ~ dark 351  Coral 372 x 2 Mustard ~ light 437 Tan ~ light 520 Fern green ~ dark 580 x 2 Moss green ~ dark 597  Turquoise 733 x 2 Olive green ~ medium 734  Olive green ~ light 743 Yellow ~ medium 829 Golden olive ~ very dark 832 Golden olive 833 Golden olive ~ light 924 Grey green ~ very dark 3013 Khaki green ~ light 3712  Salmon ~ medium 3778 Terracotta ~ light 3790 Beige grey ~ ultra dark 3824 Apricot ~ light    

Linen Sizes

The design area is 271 stitches (w) x 260 stitches (h). Our calculations have included a 3" margin for finishing and framing. The model was stitched using a Zweigart-based linen overdyed to the shade Eureka by Fox and Rabbit.

  28ct linen: Design: 19.36" x 18.57" Fabric: 25.36" x 24.57" 32ct linen: Design: 16.94" x 16.25" Fabric: 22.94" x 22.25" 36ct linen: Design: 15.06" x 14.44" Fabric: 21.06" x 20.44" 40ct linen: Design: 13.55" x 13.00" Fabric: 19.55" x 19.00" 46ct linen: Design: 11.78" x 11.30" Fabric: 17.78" x 17.30" 56ct linen: Design: 9.68" x 9.29" Fabric: 15.68" x 15.29"

Stitch Guide

The sampler is predominantly worked with cross stitch laid over two threads of linen. The window panes in the house are worked in satin stitches. The sampler is suitable for confident beginners through to advanced needleworkers.

Cross stitch ~ When working cross stitch, the top stitch should always lie in the same direction for a neat and uniform finish.

Satin stitch ~ Run a straight stitch between each thread of fabric in the direction shown on the chart. Use one thread making repeated passes until the desired coverage is achieved.