Rosa Sugars Aged 4 ~ a pdf download

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Rosa’s beautiful sampler is brought to you as an instant pdf download and as a printed booklet. Details of the printed booklet can be found HERE.

There are 4 versions of the pdf. You will be able to download any or all of the following pdf and graph versions:

Version 1 ~ A four-page colour chart.

Version 2 ~ A one-page colour chart (intended to be viewed/used on your tablet, phone, laptop, or computer).

Version 3 ~ A four-page black and white symbol chart.

Version 4~ A one-page black and white chart (intended to be viewed/used on your tablet, phone, laptop, or computer).

We are delighted to present to you a very sweet sampler that was stitched by a four-year-old girl, Rosa Sugars. What a remarkable child Rosa was. Rosa tells us that she completed her sampler on July 20, a Wednesday, in the year 1881.

We have found Rosa in family history records. She was born in July 1877 at Aspley End in Hertfordshire to Charles and Adelaide (née Sears). In the 1881 census, which was compiled in the April, Charles was noted as a butcher and Rosa, at the age of 3 years, as a scholar. One would have expected a three-year-old to have had no occupation recorded. It was unusual for a child of three to attend school. It is also unusual for a child to stitch a sampler at such a young age! Rosa only turned four in the July of 1881.

The 1891 census finds the family living in very different circumstances at Weymouth Street, Hemel Hempstead. Charles had died in 1888, leaving his widow and three children to provide for themselves. Rosa at aged 13 had to work alongside her fifteen-year-old brother Charles. He was an envelope stamper and Rosa a black borderer.

Rosa applied black varnish to the edges of paper and envelopes. Funerary stationery was used to inform family and friends of a death. The Victorian society of the late 1800s was obsessed with death. Queen Victoria set the tone for this after the death of her husband Prince Albert.

The 1901 census reveals that Rosa is still living at Weymouth Street with her mother and younger sister. Poor Rosa, together with her sister, is still working with stationery, now as an envelope folder. It must have been a monotonous and soul destroying 10 years for Rosa labouring at the paper mill in Aspley.

The 1911 census finds Rosa married to Henry Bryant Hobday, a mechanic at the paper mill. They are living at 73 Weymouth Street together with their two-year-old son, Roland and a boarder who also worked at the paper mill. Frogmore Paper Mill is the oldest mechanical paper mill in the world. Located in the Gade Valley in South West Hertfordshire, Frogmore Mill was originally one of several water mills in the area built to grind corn. With the coming of the Industrial Revolution in the mid-18th century and an increasing demand for paper, the mill’s owners decided to diversify and converted it from agricultural to paper production.

Rosa lived a long life, dying in hospital on November 17, 1962, aged 91 years. Her husband had died a few years earlier in 1959. We do not know what life held for Rosa, but we do know that her son Roland, a Major in the Royal Artillery, was a prisoner of war in Singapore in WWII. This must have been a dreadful time for Rosa. Roland survived and returned home at the end of the war.

We hope that you enjoy stitching Rosa’s sampler with all its endearing anomalies. Make sure you study the chart and count carefully!

Rosa stitched her sampler with wool thread on approximately 20ct Penelope canvas. The stitches used are cross stitch over two threads. The design is suitable for stitching on Aida, Linaida, or linen

At the very core of Hands Across the Sea Samplers there is a team of needleworkers who are passionate about antique samplers and being able to share those samplers with you.

Thread Legend

Rosa’s sampler has been stitched with a palette of eleven colours from Au Ver à Soie’s range of Soie 100.3. We have provided conversions for Soie d’Alger and DMC. Only one spool or skein is required with the exception of Soie d’Alger #2126 when working with two strands of silk on 14ct Aida/28ct linen. The design is suitable for needleworkers of all abilities. The stitches used are cross stitch over 2 threads.

Rosa stitched her sampler with wool thread on approximately 20ct Penelope canvas.

 
Soie  100.3 ~ Colour Description          
072 ~ Turquoise ~ light
079 ~ Avocado green ~ medium
080 ~ Drab brown ~ very light
089 ~ Mahogany ~ light
148 ~ Yellow beige ~ medium
325 ~ Avocado green ~ light
356 ~ Antique blue ~ medium
410 ~ Antique mauve ~ very dark
434 ~ Violet ~ very dark
557 ~ Antique violet ~ medium
664 ~ Christmas red
 
Soie d’Alger ~ Colour Description          
1735 ~ Antique blue ~ medium
2125 ~ Avocado green ~ light
2126 ~ Avocado green ~ medium
2543 ~ Yellow beige ~ medium
3336 ~ Violet ~ very dark
3711 ~ Drab brown ~ very light
4612 ~ Mahogany ~ light
4636 ~ Antique mauve ~ very dark
4624 ~ Christmas red
5114 ~ Antique violet ~ medium
5384 ~ Turquoise ~ light
 
DMC ~ Colour Description          
321 ~ Christmas red
470 ~ Avocado green ~ light
550 ~ Violet ~ very dark
598 ~ Turquoise ~ light
613 ~ Drab brown ~ very light
931 ~ Antique blue ~ medium
937 ~ Avocado green ~ medium
3041 ~ Antique violet ~ medium
3046 ~ Yellow beige ~ medium
3776 ~ Mahogany ~ light
3802 ~ Antique mauve ~ very dark

Linen Sizes

The design area is 126 stitches (w) x 170 stitches (h). Our calculations have included a 3" margin for finishing and framing. The model was stitched using 56ct Zweigart-based linen that was overdyed to a lighter shade of Marbled Pointer from xJuDesigns.

The design is suitable for stitching on Aida, Linaida, or linen. Rosa stitched her sampler with wool thread on approximately 20ct Penelope canvas. We recommend that you should use a count and fabric that you enjoy working with.

28ct: Design: 9.00" x 12.14" Fabric: 15.00" x 18.14"
32ct: Design: 7.88" x 10.63" Fabric: 13.88" x 16.63"
36ct: Design: 7.00" x 9.44" Fabric: 13.00" x 15.44"
40ct: Design: 6.30" x 8.50" Fabric: 12.30" x 14.50"
46ct: Design: 5.48" x 7.39" Fabric: 11.48" x 13.39"
56ct: Design: 4.5" x 6.07" Fabric: 10.5" x 12.07"

Stitch Guide

The reproduction of Rosa’s sampler is worked with cross stitch laid over two threads of linen. The sampler is suitable for needleworkers of all abilities.
 

 
Cross stitch ~ When working cross stitch the top stitch should always lie in the same direction for a neat and uniform finish.
Hands Across the Sea Samplers are on hand to help those stitching our charts. If you need assistance or have any questions we can be reached via email, address shown below, or the contact page on our website. Our website has stitching tutorials which can be found in the “sewing basket/tools” section.