We are very pleased to announce that we have a new member at Hands Across the Sea Samplers. A very warm welcome to Veena Parrikar who is busy stitching the model of a stunning English sampler from the early 1800s.
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Three new videos
Three new videos – Video 1 An antique band sampler, a look at the front and reverse. New linens and scissor holders. Video 2 How I would stitch Lucy Navier 1818. Video 3 I Bathya, the workshop.
A new flosstube video
I have just uploaded a new video to flosstube. If you enjoy the video please subscribe to my youtube channel. Thank you for watching.
The 2019 Queen of the May ~ Lucy Navier 1818
Each year Hands Across the Sea Samplers publishes a sampler which we consider to be not only beautiful but outstandingly so and worthy to be crowned our Queen of the May. We are pleased to offer to you (EARLY DUE TO PUBLIC DEMAND) Lucy Navier 1818 our Queen of the May for the year 2019 presented in a limited edition 60 page booklet in full colour with an extensive stitch guide.
For further information please visit Lucy’s webpage
“Reproducing Lucy’s sampler has been an exciting and epic journey shared with an amazing needle worker who I have the greatest respect for. My grateful thanks go to Bethany Gallant for every stitch she has exquisitely executed and her patience with me as I reproduced Lucy’s tiny stitches of which there were many!” ~ Nicola Parkman
A New Flosstube Video
I have just uploaded a new flosstube video chatting about antique samplers, the forthcoming Queen of the May, new scissors, silks and lots more. If you enjoy the video please subscribe to my youtube channel.
A new floss tube video
A little bit or this and that – a look at 2 antique samplers, scissors, linen, threads and carrying projects/samplers.
Legacy Linen in Wild Honey and my everyday stitching tools
By request a video about my everyday stitching tools and Legacy Linen Wild Honey
A chat about linen, a wonderful book on needlework tools, silk storage, cards and a look at the original Martha James sampler
I hope you enjoy some time with me today over a a cup of coffee.
The 2019 Nashville Needlework Market – 4 new releases
We wanted to share with you the new Hands Across the Sea Samplers’ releases for the 2019 Nashville Needlework Market.
The magnificent Elizabeth Weston reproduced and stitched by my dear friend Sandra Moffitt – CLICK HERE
The sweet Ann Ogden 1844 which has been lovingly stitched by Melissa Heuer Coyle for Hands Across the Sea Samplers. Thank you Melissa I enjoyed every second working with you and I know how much of your heart you poured into Ann – CLICK HERE
The sweet Martha James 1844 with her adorable carefree scene that tugs at my heart – CLICK HERE
And last but not least my last travelling project Eliza Knight. We sailed/flew many miles together in October 2018 – CLICK HERE
All four designs are available now for pre-order from your local/online needlework store or from the Hands Across the Sea Samplers’ website.
We hope that there is a little something for everyone and the four designs are suitable for all levels of ability.
ENJOY and let your store know to order your copy.
Christina’s finish
In August of this year I was so fortunate to be able to meet up with Christina at The Attic Needlework’s Summer School in Arizona. Christina was busy stitching Jane Vaughan, a band sampler from Hands Across the Sea Samplers’ portfolio of reproductions.
Christina has now finish Jane and I would like to share her beautiful finish with you.
Congratulations Christina your Jane is stunning.
A Giveaway
We are having a giveaway of an antique sampler – Sarah Powell
The giveaway is for those stitching Jane Banister 1855 through the stitch-a-along sponsored by Linen and Threads. This S-A-L will begin on 1st January 2019, with giveaways throughout the year from Linen and Threads, and culminating in a draw for Sarah. To be entered into the giveaway draw for the sampler, you need to post regular updates of your progress on Jane Banister throughout the year and post a photo of your finished sampler by Midnight 31st December 2019. The Facebook group can be accessed HERE
If you are not on Facebook you can email Hands Across the Sea Samplers to post your progress and finish photos on your behalf. Charts can be purchased HERE but many stores throughout the world have Jane in stock together with the linen and threads for stitching her.
Cats !!
To celebrate Hands Across the Sea Samplers’ 3rd birthday and our love of cats we are releasing a new sampler.
Jane’s beautiful Welsh sampler is a delight for the eye, the more you look at her the more you will see! With a wonderful palette of 32 colours Jane filled her sampler with traditional Welsh motifs contained within a stunning floral border. Roses, lilies and convolvulus in full bloom graciously sweep around this beautiful sampler. Jane diligently stitched pretty vases of flowers such as Ragged Robins from the Lychnis family, and Auriculas in the Primula family, two sailings ships, birds and butterflies abound, and two beautiful bowls of fruit.
The moment we saw Jane’s cats we knew that Hands Across the Sea Samplers had to reproduce this sampler for ailurophiles to stitch. Cats appear in two scenes. To the bottom left a cat quietly watches two “merchs fach” (young girls) contemplate their day but it is at the bottom right where they really make their presence known. Two very large silver tabbies are seen frolicking with a ball in the garden. For us they are the highlight of this wonderful sampler.
For more information please click HERE or a video can be viewed below
Announcing a February Stitch-a-Long
Two new releases
On December 1st we launch our 2018 Christmas release, the beautiful Hariet Hartland 1782.
We are very excited about Hariet, she is stunning. Please visit her webpage for more details.
Our second release is the sweet Mary Clayton. She is delightful!!
We hope you enjoy these two samplers, the last of our releases for 2018. Hands Across the Sea Samplers would like to thank all our customers for their patronage this year and wish them a very Merry Christmas. Here is a small gift of thanks O Holy Night Christmas 2018 , a small chart to download
The Stitch-a-Long for MH 1656, My Beloved’s Gift
It is November 1st so our stitch-a-long has officially started. Thank you to all who are sharing this journey with me.
Month 1 – Band 1 – Graph Rows 0 -21
In the lead up to this month we have discussed stitch paths and how we would be stitching this band.
Please share your progress and experiences. We are learning from each other.
If anyone needs help please email me.
Elizabeth Charlotte Cotton 1753
I have just uploaded a new flosstube video that showcases the reproduction of Elizabeth Charlotte Cotton 1753 on behalf of Miss Jean Lea and The Attic Needleworks. The model has been exquisitely stitched by Bhooma Aravamudan . I also discuss lacing and framing samplers. Storage systems and colour selection. The original When Thou Art Rich is featured. I hope you enjoy my ramblings.
Sneak peak of a forthcoming sampler
A Sneak Peak of the model for a sampler reproduced and being stitched by Sandra for Hands Across the Sea Samplers.
“What greater gift than the love of a cat.” ― Charles Dickens
Storing Spools of Silk and some Antique Samplers
Woad and MH 1656
I posted this photo on the weekend which shows the vibrant blue found on the original sampler. It is quite amazing that the colour is so strong centuries (1656 !!) after it was dyed.
The dye most probably used was woad.
Since ancient times, woad was an important source of blue dye and was cultivated throughout Europe, especially in Western and Southern Europe.
Woad was one of the three staples of the European dyeing industry, along with weld (yellow) and madder (red
Woad has a long association with East Anglia, the land of the Iceni tribe and of its famous leader Boudicca. The plant whose deep blue pigment was used as a warpaint by the ancient Britons to frighten their enemies
Woad was not used only for textile dyes and, for example the illustrators of the Lindisfarne Gospels (late 7th/early 8th century) used a woad-based pigment for the blue.
In medieval times there were important woad-growing regions in England, Germany and France. Towns such as Toulouse became prosperous from the woad trade.
The blue threads in the Bayeux Tapestry were dyed using woad and the blue in the tapestry is the only colour not to have faded in more than 900 years.
In England woad cultivation became strictly regulated in the late 1500s in a period of food shortage leading up to the famine of 1586 and concerns that too much land was being devoted to woad rather than to cereals. Queen Elizabeth I issued a “Proclamation against the sowing of woade” on 14 October 1585
The dye chemical extracted from woad is indigo, the same dye extracted from “true indigo”, Indigofera tinctoria, but in a lower concentration.
When woad leaves are harvested, in July and September, they are washed and heated in hot water for several minutes. The blueish water is then mixed with chalk and left to settle. A blue paste is left after the water is poured off and this, when dry, can be ground into a fine powder to be used in paints, dyes and ink-making.
Clothes dyed with woad indigo at first appear yellow, but as they dry they turn green, then turquoise then finally deep blue.
Although woad has not been grown in the UK commercially since the 16th century, it was produced in Lincolnshire during the 1920s and 1930s to provide dye for Royal Air Force uniforms, before the adoption of synthetic colourings.
Preparing Linen for a Project
I was asked yesterday about preparing linen. Many of you will have seen this video before but for those who have not you might enjoy watching. The tips given are all simple ones but they are important.
There is a bonus clip at the end about Jane Vaughan, a beautiful band sampler.
Finishing stitches – MH 1656 My Beloved’s Gift – The Stitch-a-Long Video 2
Finishing stitches where there is no laid stitch to hide them AND a BONUS clip at the very end. A sneak peak of a gorgeous and vibrant antique sampler that HATS will be reproducing.
PLEASE NOTE: there is a difference in visibility between the two pin stitches. The one that the needle has split the laid stitch on the front is a much better finish. The other one has pushed the laid stitch to the side. Practice and play around with how your manipulate your needle. This is nit picking but there is a slight difference that I feel is worth going the extra to achieve.
Some Silk Trivia
MH 1656 ~ My Beloved’s Gift – The Stitch-a-Long – Stitch Path Row 1
Yesterday evening we had a discussion in the Facebook group about the stitch path for the first row. You need three separate passes. You can work them from right to left or left to right.
You CANNOT carry your thread on all three passes. With certain combinations you can carry your thread once. This is due to how you need to finish the stitches at the beginning and end of the row to replicate MH’s stitching.
The dotted grey line represents the stitches automatically laid on the reverse as you lay the stitches on the front.
The second diagram shows the back if you turned you work over horizontally rather than vertically.
I found starting and ending with a minute pin stitch the easiest using 100/3.
Video 1 – Preparation and Experimenting
A Stitch-A-Long for MH 1656 ~ My Beloved’s Gift
We have set up a closed Facebook Group for stitchers to share their journey as they travel with needle and thread through the numerous and beautiful reversible bands of MH 1656 ~ My Beloved’s Gift.
Starting November 1st 2018 and at monthly intervals thereafter Nicola will post photographs of the bands of the sampler as she has stitched them. Whilst not a workshop Nicola will share some tips and tricks along the way. There will not be detailed stitching notes as the graph in the HATS booklet is detailed and well annotated.
However, if a member has a question or needs help Nicola will try her best to assist. Questions can be raised in the group or Nicola can be privately messaged.
To join the group please click HERE
Wartime Memories
A beautiful piece of of First World War embroidery has been discovered in chest of drawers in Stoke-on-Trent. It was created by soldiers in 1917 to help them get over their experiences in the trenches.
Esther Benson 1739 – a new release
Hands Across the Sea Samplers are thrilled to present to you our latest reproduction – the beautiful Esther Benson 1739.
Nicola was commissioned by Kimberley Young to reproduce a sampler exclusively for Sassy Jacks Stitchery. This is a particularly beautiful and unusual sampler both for the scenes portrayed and the colours used.
Nearly two hundred and eighty years ago a 9 year old girl put the last stitches into her sampler recording “Done by me Esther Benson aged of 9 year 1739 at London”.
There are two pictorial bands, the first is a beautiful Adam and Eve scene that is crammed full of animals, birds, stars, the moon and the sun. The Tree of Knowledge with the serpent twined on the trunk is in the centre of Adam and Eve. Esther has depicted Eve, who has succumbed to the serpent and eaten an apple from the tree, tempting Adam. To the right there is a sun representing day, whilst to the left is a crescent moon representing night. This is unusual as the moon is traditionally associated with the feminine and the sun with the masculine
The second pictorial band of Esther’s sampler is symmetrical in design and features 2 angels with trumpets, signifying that they are the voice of God, above a domed ecclesiastical building that is flanked by two oversized shrubs. It is in this building that the sampler shows its age and there has been thread loss. When we first saw this temple we initially thought that it was connected to Solomon’s Temple. However, this was to change when another sampler came into our collection that had the same building. This sampler’s near identical building bore a name – “The Temple of Fame”. After extensive research , we found that there was no connection to Solomon’s Temple and that our Temple had its own very interesting story that travels down the centuries. The story of the Temple of Fame goes back to 1379 when Geoffrey Chaucer, known as the Father of English.
The model was exquisitely stitched by Suzanne Sirotti in Australia.
We had great fun working with Kimberley on this project. Esther’s 32 page booklet booklet has much historical information. When researching her we were whisked back to a fascinating period in the history of London and we hope you enjoy the journey back in time too when stitching Esther.
Booklets, special cuts of linen in assorted counts and threads packs of DMC, AVAS d’Alger or NPI are available HERE
A comprehensive online workshop is also available through Sassy Jacks Stitchery.
Algerian Eyelets – achieving a reversible finish
If you would like to see how I stitch my eyelets so that they are reversible I have just uploaded a short video to our youtube chanel.
A Stitch-a-Long for MH 1656 – My Beloved’s Gift
I will be leading a Stitch-a-Long for the beautiful band sampler MH 1656 – My Beloved’s Gift. The SAL will start in November and I will be posting a band a month. Whilst this will not be a workshop as such, I will be sharing tips and tricks along the way and helping those stitching with me. For more information about the sampler please visit her webpage HERE
I will not be setting up a separate Facebook Page but will post each month in Our Samplers Years and the HATS Facebook page and the HATS blog on our website.
Bathya – a reversible band sampler
I am so thrilled to present to my stitching sisters my finish of the reversible band sampler “Bathya” (you will need to click on the photos for them to open fully).
Every single stitch has been a joy. To achieve a truly reversible finish much thought and planning has had to go into each band. It has been like a jigsaw puzzle. A brain challenge !! However, once the stitch path was worked out my needle flew.
Bathya is a very special sampler with an amazing history -please see this video where Witney Antiques talk about the sampler shortly into the film.
She is also featured in many reference books.
Would you like learn how I stitched Bathya?
I will only be teaching Bathya on three occasions – the first in November at Fobbles in Cumbria, England.
As soon as the workshop was announced it was immediately oversubscribed so I will be running a back to back workshop. There are a handful of places left on Monday/Tuesday, November 4th/5th, 2018. Contact Beverley Trembath sooner rather than later if you are interested in attending.
The only other occasion I will be teaching Bathya is on a visit to the US probably in June 2019. This will be at Sassy Jacks Stitchery and The Attic Needleworks.
Bathya stitched her sampler with 15 vibrant shades of silks, ingeniously devising stitch patterns and motifs. These colours are taken from the front !!!
There is so much to delight in her sampler. She used a wide repertoire of stitches of varying intricacy. The stitches include two different versions of reversible cross stitch; one forms a cross on the reverse with a vertical stitch on the left and the other a four sided stitch on the reverse.
She also used double back stitch and diagonal double back stitch. These stitches appear plaited from the front and as two parallel rows of back stitch on the reverse, you might know them as closed herringbone.
Other stitches used were double sided Italian stitch; alternating double back stitch in groups of three, which represents the Trinity; detached buttonhole; french knots and satin stitch.
Bathya’s whitework bands are particularly elegant. Narrow whitework bands were an important part of a stitcher’s repertoire, they were used on collar bands both as an adornment and as stiffening so that the collars would stand proud.
If you would like to learn the techniques needed to re-create this stunning sampler please contact either:
Beverley at Fobbles in the UK
Kimberly Young at Sassy Jacks Stitchery in North Carolina
Jean Lea at The Attic Needleworks in Arizona