Our grateful thanks to Ilana Kaye for stitchng the model. Ilana poured her heart and soul into every stitch. We also wish to thank #accesscommodities for working with us so that we could capture Mary’s gorgeous colours.
At the very core of Hands Across the Sea Samplers there is a team of needleworkers who are passionate about antique samplers and being able to share those samplers with you.
What a strange year 2020 has been ! It seems if my carefully planned year has morphed into something quite different. Every holiday we had booked has been cancelled and four workshops I was teaching postponed to 2021 and one cancelled outright by the store. A further three I was attending postponed as well.
Our release dates for samplers (usually meticulously planned 12 months ahead) are all over the place, either due to scarcity of silks or the frustration of not being able to progress production due to the UK having been in lockdown.
Our government has announced that non-essential businesses can reopen on June 15th. It is a huge relief that we will be able access our framers and our professional photographer and his studio. My number one priority will be the 2020 Queen of the May. I have my studio time with the photographer booked. She will be his first photo shoot since forced closure in March.
Whilst I could have photographed her myself and had a frame photoshopped onto the sampler, this very special sampler deserved the best so the decision was made to wait until we could present her in a beautiful booklet prepared to the highest standard. I promise you she is worth the wait.
We were honoured that Ilana Kaye graciously agreed join team HATS in 2019 and has stitched the 2020 QOTM for us. We have the utmost respect for Ilana and it has been a joy to work with her on this project.
“I was honored to have the opportunity to stitch the model for Mary Carter. The experience was very personal and somewhat frightening. I was anxious to stitch this sampler with the utmost care, following the chart precisely. In my mind, it had to be perfect and I had to control my guilty habit of making stitch changes.
Satin stitch , my absolute favorite, was a major component of this sampler. My vision was to make the satin actually appear like shiny satin applique. With much trial , effort and silk devouring, mission accomplished.
I could feel Mary’s presence on my shoulder cheering me on. What a colorful character she must have been!” – Ilana
Hands Across the Sea Samplers are pleased to present to you a new release “Only One Rose ~ a postcard from the heart”. This is a pdf download from our Little Gems’ series. More information can be found HERE
There is also a video that you may enjoy that explains the unspoken words that the chosen motifs convey.
A Stitch-a-Long for Jane Fiddes 1835 has just been announced on Attic Addicts. It is always so much more fun stitching in the company of other needleworkers.
Cheri Cluff Edington is going to lead the SAL which will start on July 4th and is sponsored by The Attic Needleworks, Needle In a Haystack and Traditional Stitches.
I will be putting up some draw prizes for the end of the SAL. First prize will be an antique sampler and there will be also be two £50 vouchers for Hands Across the Sea Samplers.
Cheri is going to break the sampler down into 12 sections, one per month and will post her progress in a Facebook group that she will be setting up. Cheri will help participants along the way and I will be there for you too.
Cheri has chosen to stitch her Jane with soie 100.3 from Au Ver a Soie and will be using 46ct Weeks Dyeworks Zweigart based linen in cocoa. What will you choose?
Hands Across the Sea Samplers are excited to announce the second sampler in their series of Little Gems. These are samplers that are available via .pdf downloads. We hope you enjoy The Chequerboard House.
The sampler is suitable for needle workers of all abilities and has been charted so that it can be stitched on linen or Aida. The model was stitched with a beautiful palette of silks from Au Ver a Soie. A conversion for DMC has been included within the thread legend.
Please visit our website for further information, click HERE
A look at stem stitch. This video is one of 11 that form the online workshop for Esther Benson 1739, a sampler that was reproduced exclusively for Sassy Jacks Stitchery. The workshop takes you through all the stitches required to complete this particularly beautiful sampler.
Whilst we are in isolation the video on stem stitch is available free of charge to view. Let us make use of our downtime to learn new skills, have some fun and go on an adventure with our needlework.
We are excited to launch the first sampler in our “Little Gems” series of downloads. Some small and fun samplers to keep us stitching during these troubled times. We hope that our Little Gems will brighten days.
For more information about Mary can be found HERE.
I want to share with you a VERY SPECIAL version of the Bristol Orphanage sampler “Louisa Coulimore”. A version that has filled my heart and one that I will cherish.
I always say in my talks and workshops to stop and really study a sampler and it will whisper to you. Please stop and look at Louisa and see all the extra special touches then read what Barb has said about her sampler below.
“Rarely does a day go by that I don’t hook rugs, knit, or most often, stitch. I rarely postmy work other than on specific group pages, but for several reasons I’m sharing this piece. The design, “Louisa Coulimore, a Bristol Orphanage Sampler”from the design studios of Hands Across the Sea Samplers comes with the story of the Muller Orphanage and specifically, the life story of Louisa Coulimore. Louisa’s childhood and mine are more different than alike, but like her, my earliest childhood was lived in an orphanage and I have added some of my personal information to my sampler, making it more special to me.
Thank you, Nicola Parkman for this amazing design, and special thanks to Patti Nicolosi, By My Hand Needewerks for your perfection framing.
And to my stitchy friends seeing this, I stitched over two on 40 count with my personal information done over one on Lakeside Vintage Pearled Barley linen with GA Rose Garden.” – Barb Albrecht
With grateful thanks to Patti Nicolosi of By My Hand Needl’werks for allowing us to use her photograph.
Huge congratulations to Kim Dalziel on not only winning first prize in her class, but for going on to win best exhibit for needlework and then the ultimate win of Best in Show at the Berwick Show in Australia.
For more information about Jane Bannister please visit her webpage HERE
In typical Australian style, the weather has moved from fire to flood with no decent respite in between for emergency crews.
On the 1st February 2020, mother nature took one last swipe with fire, releasing a raging wildfire which would move the better part of 6 km within 18 hours and present a significant containment challenge for crews in a landscape that had been baked completely dry. So dry even the gum trees were starting to give up.
With the fire being in the Wentworth Falls area, the brigade played a significant role in its management over the next few days up until the arrival of the rain. Not just a little bit of rain, biblical rain.
Australia is a land of drought and flooding rain, and this year was no exception.
In the same town where we were chasing a running wildfire a week earlier, we were suddenly helping members of the community clear fallen trees from their properties, unblock overflowing drains and prevent drivers from travelling through flood waters. 400mm+ of rainfall within the space of 3 days to be specific, the most Sydney has seen in a single event for the last 2 decades. An immense amount of rain in an already distressed landscape meant flash flooding, landslides and problems at the other end of the scale for us.