Eliza Martha Linfoot 1834 ~ Printed Booklet

£26.00

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Eliza’s beautiful sampler is offered to you as part of a Stitch-a-Long (SAL) sponsored by Hands Across the Sea Samplers (England), A Needle in a Haystack (California),  A Stitch in Time (Tasmania),  The Attic Needleworks (Arizona) and Traditional Stitches (Canada). The booklets are available exclusively through ourselves and the four stores.

Those of you who enjoyed our Facebook  SAL for the Jane Fiddes sampler will not want to miss the continuation of our group as we transition to a SAL for Eliza Martha Linfoot. Cherie Cluff Edington did such a fantastic job leading our Facebook group and SAL for Jane Fiddes, that we are thrilled she has agreed to take the lead for our Eliza Martha Linfoot sampler.

We are anticipating a SAL start date of October 1, 2021 although that is entirely dependent on availability of supplies.  Advance orders are welcome and recommended. Payment will not be taken until we are ready to ship the booklets on August 31st.

Eliza stitched a delightful sampler that charms the eye and we are delighted to present to you our adaptation of her sampler. Whilst the chart that we have made available is a stitch-by-stitch reproduction, there are two small freehand motifs that have been omitted from the sampler. This was due to the misplacing of Nicola’s partially stitched model, working notes, and sketches of the freehand motifs between 2018, when the sampler was charted, and 2021, when the stitching of a second, new model was undertaken. The original sampler is no longer in our collection for us to reproduce the two small freehand motifs.

Eliza Martha Linfoot was baptised on Monday, June 12 in the year 1820 in Haxby, Yorkshire. Her parents were John, a farmer, and Ann (née Daniels). Eliza was the sixth of nine children born over a twenty-year period. On Sunday, July 18 in the year 1841 Eliza married William Blain in St Mary’s Church in Castlegate – a historical street in the centre of York. Their first child, John Linfoot Blain, was baptised just 7 months later! Eliza and William went on to have nine children. In the 1851 census return, the family can be found living in Walmgate, a street in the very heart of York. Walmgate was known for its pubs, and William’s occupation was noted in the 1851 census return as an innkeeper. He was the landlord of the Bricklayer’s Arms, a busy public house.

In the 1861 census return, the family is still living and working in Walmgate; however, William has the slightly grander title of Licenced Victualler rather than innkeeper. He was also listed as Grand Pianoforte Maker. John, their first born, is working as a Grand Pianoforte Finisher.

In 1862, at the age of 41, Eliza gave birth to her last and ninth child – a son named Henry. The 1871 and 1881 census find the family at 44 Lowther Street in York. William continued to work as a pianoforte maker. William died on December 28, 1887 at 44 Lowther Street at the age of 72. Eliza survived him by some 4 years, dying in the January of 1892, also at the age of 72.

Today, we celebrate Eliza’s needlework skills. Her legacy is a very pretty sampler – we hope that you enjoy every moment that you spend with Eliza.

Eliza’s sampler has been exquisitely stitched by Linda Clews. At the very core of Hands Across the Sea Samplers there is a team of needleworkers who are passionate about antique samplers and being able to share those samplers with you. Hands Across the Sea Samplers are on hand to help those stitching our charts. If you need assistance or have any questions, we can be reached via email, or the contact page on our website.

Thread Legend

Eliza’s sampler has been reproduced using a palette of twenty-one colours from Au Ver à Soie’s range of Soie 100.3. We have included below conversions for Soie d’Alger and DMC.

 
1 strand of Soie 100.3 on 46ct linen ~ Colour Description
 022 ~ Golden olive ~light

067** ~ Antique mauve ~ medium ** now an inactive colour in the Soie 100.3 range, 124 is our recommended substitution.

080 ~ Drab brown ~ very light
091 ~ Mahogany ~ very light
093 ~ Desert sand
122 ~ Shell pink ~ ultra very light
148 ~ Yellow beige ~ medium
188 ~ Driftwood ~ dark
191 ~ mauve ~ very light
217 ~ Desert sand ~ very light
328 ~ Mustard ~ light
433 ~ Beige brown ~ light
486 ~ blue ~ medium
494 ~ Salmon ~ medium
510 ~ Navy blue ~ dark
523 ~ Salmon ~ very dark
562 ~ Mocha brown ~ light
580 ~ Khaki green ~ medium
603 ~ Drab brown ~ light
707 ~ Pine green ~ medium
740 ~ Beaver grey ~ light
 
1 strand of Soie d’Alger on 36 to 46ct linen ~ Colour Description
 524 ~ Golden olive ~light
1415 ~ Navy blue ~ dark
1714 ~ Antique blue ~ medium
2242 ~ Yellow beige ~ medium
2916 ~ Salmon ~ very dark
2932 ~ Salmon ~ medium
3312 ~ Antique mauve ~ medium
3341 ~ Beaver grey ~ light
3346 ~ Driftwood ~ dark
3724 ~ Pine green ~ medium
3832 ~ Mustard ~ light
3833 ~ Drab brown ~ light
3834 ~ Khaki green ~ medium
4112 ~ Desert sand ~ very light
4113 ~ Beige brown ~ light
4141 ~ Desert sand
4621 ~ Shell pink ~ ultra very light
4642 ~ Antique mauve ~ very light
F21 ~ Drab brown ~ very light
F23 ~ Mocha brown ~ light
S2176 ~ Mahogany ~ very light
 
2 strands of Soie d’Alger on 28ct linen ~ Colour Description
 524 ~ Golden olive ~light
1415 ~ Navy blue ~ dark
1714 x 2 ~ Antique blue ~ medium
2242 ~ Yellow beige ~ medium
2916 x 2 ~ Salmon ~ very dark
2932 ~ Salmon ~ medium
3312 ~ Antique mauve ~ medium
3341 ~ Beaver grey ~ light
3346 ~ Driftwood ~ dark
3724 x 2 ~ Pine green ~ medium
3832 ~ Mustard ~ light
3833 ~ Drab brown ~ light
3834 x 3 ~ Khaki green ~ medium
4112 ~ Desert sand ~ very light
4113 ~ Beige brown ~ light
4141 ~ Desert sand
4621 ~ Shell pink ~ ultra very light
4642 ~ Antique mauve ~ very light
F21 ~ Drab brown ~ very light
F23 ~ Mocha brown ~ light
S2176 ~ Mahogany ~ very light
 
1 strand of DMC on 40 to 46ct linen ~ Colour Description
 08 ~ Driftwood ~ dark
225 ~ Shell pink ~ ultra very light
316 ~ Antique mauve ~ medium
347 ~ Salmon ~ very dark
372 ~ Mustard ~ light
402 ~ Mahogany ~ very light
612 ~ Drab brown ~ light
613 ~ Drab brown ~ very light
648 ~ Beaver grey ~ light
778 ~ Antique mauve ~ very light
823 ~ Navy blue ~ dark
833 ~ Golden olive ~light
841 ~ Beige brown ~ light
931 ~ Antique blue ~ medium
950 ~ Desert sand ~ very light
3012 ~ Khaki green ~ medium
3046 ~ Yellow beige ~ medium
3064 ~ Desert sand
3363 ~ Pine green ~ medium
3712 ~ Salmon ~ medium
3782 ~ Mocha brown ~ light
 
2 strands of DMC on 36ct linen ~ Colour Description
08 ~ Driftwood ~ dark
225 ~ Shell pink ~ ultra very light
316 ~ Antique mauve ~ medium
347 ~ Salmon ~ very dark
372 ~ Mustard ~ light
402 ~ Mahogany ~ very light
612 ~ Drab brown ~ light
613 ~ Drab brown ~ very light
648 ~ Beaver grey ~ light
778 ~ Antique mauve ~ very light
823 ~ Navy blue ~ dark
833 ~ Golden olive ~light
841 ~ Beige brown ~ light
931 ~ Antique blue ~ medium
950 ~ Desert sand ~ very light
3012 x 2 ~ Khaki green ~ medium
3046 ~ Yellow beige ~ medium
3064 ~ Desert sand
3363 ~ Pine green ~ medium
3712 ~ Salmon ~ medium
3782 ~ Mocha brown ~ light
 
2 strands of DMC on 28t linen ~ Colour Description
 08 ~ Driftwood ~ dark
225 ~ Shell pink ~ ultra very light
316 ~ Antique mauve ~ medium
347 ~ Salmon ~ very dark
372 ~ Mustard ~ light
402 ~ Mahogany ~ very light
612 ~ Drab brown ~ light
613 ~ Drab brown ~ very light
648 ~ Beaver grey ~ light
778 ~ Antique mauve ~ very light
823 ~ Navy blue ~ dark
833 ~ Golden olive ~light
841 ~ Beige brown ~ light
931 ~ Antique blue ~ medium
950 ~ Desert sand ~ very light
3012 x 3 ~ Khaki green ~ medium
3046 ~ Yellow beige ~ medium
3064 ~ Desert sand
3363 ~ Pine green ~ medium
3712 ~ Salmon ~ medium
3782 ~ Mocha brown ~ light

Linen Sizes

The design area is 249 stitches (w) x 246 stitches (h). Our calculations have included a 3" margin for finishing and framing. We recommend that you use a count and fabric that you enjoy working with. However, some linens to consider are Legacy Linen’s Swiss Cocoa in 30ct, Filbert in 38ct, Nightingale in 45ct, and Waffle Cone in 53/63ct.
 
28ct linen: Design: 17.79" x 17.57" Fabric: 23.79" x 23.57"
30ct linen: Design: 16.60" x 16.40" Fabric: 22.60" x 22.40"
32ct linen: Design: 15.56" x 15.38" Fabric: 21.56" x 21.38"
36ct linen: Design: 13.83" x 13.67" Fabric: 19.83" x 19.67"
40ct linen: Design: 12.45" x 12.30" Fabric: 18.45" x 18.30"
46ct linen: Design: 10.83" x 10.70" Fabric: 16.83" x 16.70"
56ct linen: Design: 8.89" x 8.79" Fabric: 14.89" x 14.79"
62/52ct linen: Design: 8.03" x 9.46" Fabric: 14.03" x 15.46"
 
 
28ct linen: Design: 17.79" x 17.57" Fabric: 23.79" x 23.57" 30ct linen: Design: 16.60" x 16.40" Fabric: 22.60" x 22.40"
32ct linen: Design: 15.56" x 15.38" Fabric: 21.56" x 21.38" 36ct linen: Design: 13.83" x 13.67" Fabric: 19.83" x 19.67"
40ct linen: Design: 12.45" x 12.30" Fabric: 18.45" x 18.30" 46ct linen: Design: 10.83" x 10.70" Fabric: 16.83" x 16.70"
56ct linen: Design: 8.89" x 8.79" Fabric: 14.89" x 14.79" 62/52ct linen: Design: 8.03" x 9.46" Fabric: 14.03" x 15.46"

Stitch Guide

Eliza’s sampler is predominantly worked with cross stitch laid over two threads of linen; the other stitches used are satin stitch and stem stitch. The sampler is suitable for intermediate and advanced needleworkers, but it is not beyond a determined beginner.
Just as we did for the Jane Fiddes SAL, we will be providing cross stitch over two alternatives for the motifs that use satin stitch and stem stitch.  There is no cross stitch over one in the sampler.

The basket & flowerheads amended to cross stitch over 2 threads

For those stitching on Aida or those who are stitching Eliza entirely in cross stitch over two threads.

The flower head - replace satin stitches with cross stitch over two threads.


 

The basket in the chart is worked in satin and stem stitches. Replace the satin stitch with cross stitch over two threads and the stem stitch with back stitch or double running stitch.

NB: I have changed the colour of the basket from 562 /F23/ 3782 to 080/F21/613 on this adaptation due to 562 /F23/ 3782 being used in some of the leaves that fall over the basket. On the reproduction the leaves being in cross stitch and the basket in satin stitch meant that the two sections were defined. That definition is lost when cross stitch is used for both the leaves and the basket.