The sampler is offered to you in two different formats ~ as a printed booklet and as an instant PDF download. Details of the PDF download can be found HERE.
The name of Wigglesworth stitched so proudly on this beautiful sampler caught our eye, followed by the age of the samplermaker. Aet (aetatis) is an abbreviation often seen on gravestones, meaning “at the age of”. Nicola just had to reproduce and stitch Mary’s sampler as they were both 58 years old.
Mary’s sampler has so much to please the eye and your needle. The sampler has grace and harmony, both in design and colour. The arcaded band at the top of the sampler can be found on many samplers from the 1700s. Mary may have stitched this band in a much earlier sampler worked when she was a child.
Mary was the daughter of Jonathan and Mary Holmes and was baptised on February 24, 1754 in Hampsthwaite, Yorkshire. She was the second daughter to have been named Mary, the first having died before her first birthday. At the age of 10, Mary lost her mother, we suspect in childbirth. Jonathan remarried two years later.
Mary married William Wigglesworth on November 24, 1782 at St Thomas of Canterbury Church, Hampsthwaite. Mary and William were cousins, the Wigglesworths and Holmes’ families having intermarried through earlier generations. The families were connected with Padside Hall, Thornthwaite in the parish of Hampsthwaite.
We do not know if Mary and William had children. They settled in Addingham, a village a short distance from Thornthwaite.
William may have moved to the village to work in the mills. It is possible that Mary found work teaching needlework; it would explain why the sampler was stitched at such a late time of life. The Old School in Addingham was built by Anthony Ward in 1666. The school began as a simple two-roomed cottage, which was eventually expanded into a double-storied building with the lower section, in part, becoming a gaol.
William died in Addingham in 1814 and Mary married Anthony Smith, a cotton spinner on February 19, 1815. We know from their marriage banns that Mary had a fine signature.
The verse Mary chose for her sampler was taken from a hymn written by Charles Wesley.
Mary died in the November of 1820 and was buried on the 22nd of that month at St Peter’s Church, Addingham. We hope that she found her way to heaven with a wise and understanding heart.
The original sampler was stitched with cross stitch over two threads of linen with the exception of the word “heart” which is worked in cross stitch over one thread. For those wishing to stitch on Aida the word “heart” could be worked in backstitch or replaced with a small, cross stitched heart. Mary used an uneven linen of approximately 33/30ct and cotton thread.
At the very core of Hands Across the Sea Samplers there is a team of needleworkers who are passionate about antique samplers and being able to share those samplers with you. Hands Across the Sea Samplers are on hand to help those stitching our charts. If you need assistance or have any questions, we can be reached via email, address shown below, or the contact page on our website.
Thread Legend
This pleasing sampler has been reproduced using a palette of 12 colours from Au Ver à Soie’s range of Soie 100.3. We have provided conversions for Soie d’Alger and DMC below.
There is currently a global shortage of some shades of silk. We have liaised with Access Commodities, the US distributors for Au Ver à Soie, to identify which shades may be difficult to source. There are 2 shades of Soie 100.3 and 1 shade of Soie d’Alger where we have suggested alternative shades.
1 Strand of Soie 100.3 on 46 to 56ct linen029 x 1 Grey green ~ medium
038 x 1 Apricot
** #039147 x 1 Old gold ~ very light
152 x 1 Olive green
156 x 1 Tan ~ light
223 x 1 Mauve ~ dark
** #222274 x 1 Khaki green ~ dark
378 x 1 Avocado green ~ dark
494 x 1 Salmon ~ medium
510 x 1 Navy blue ~ dark
580 x 1 Mustard ~ medium
681 x 1 Christmas red
1 strand of Soie d’Alger on 36 to 46ct linen 1426 x 1 Navy blue ~ dark
2144 x 1 Olive green
2146 x 1 Khaki green ~ dark
2634 x 1 Apricot
2757 x 1 Grey green ~ medium
2915 x 1 Salmon ~ medium
2922 x 1 Christmas red
3046 x 1 Mauve ~ dark
3735 x 2 Avocado green ~ dark
3821 x 1 Old gold ~ very light
3823 x 1 Tan ~ light
** #3824 or #42233834 x 1 Mustard ~ medium
2 strands of Soie d’Alger on 28ct linen 1426 x 1 Navy blue ~ dark
2144 x 1 Olive green
2146 x 1 Khaki green ~ dark
2634 x 1 Apricot
2757 x 1 Grey green ~ medium
2915 x 3 Salmon ~ medium
2922 x 1 Christmas red
3046 x 2 Mauve ~ dark
3735 x 4 Avocado green ~ dark
3821 x 1 Old gold ~ very light
3823 x 1 Tan ~ light
** #3824 or #42233834 x 1 Mustard ~ medium
1 strand of DMC on 40 to 46ct linen321 x 1 Christmas red
370 x 1 Mustard ~ medium
437 x 1 Tan ~ light
677 x 1 Old gold ~ very light
732 x 1 Olive green
823 x 1 Navy blue ~ dark
926 x 1 Grey green ~ medium
936 x 1 Avocado green ~ dark
3011 x 1 Khaki green ~ dark
3341 x 1 Apricot
3685 x 1 Mauve ~ dark
3712 x 1 Salmon ~ medium
2 strands of DMC on 36ct linen 321 x 2 Christmas red
370 x 1 Mustard ~ medium
437 x 1 Tan ~ light
677 x 1 Old gold ~ very light
732 x 1 Olive green
823 x 1 Navy blue ~ dark
926 x 1 Grey green ~ medium
3011 x 1 Khaki green ~ dark
3341 x 1 Apricot
3685 x 1 Mauve ~ dark
3712 x 1 Salmon ~ medium
2 strands of DMC on 28ct linen321 x 2 Christmas red
370 x 1 Mustard ~ medium
437 x 1 Tan ~ light
677 x 1 Old gold ~ very light
732 x 1 Olive green
823 x 1 Navy blue ~ dark
926 x 1 Grey green ~ medium
936 x 3 Avocado green ~ dark
3011 x 1 Khaki green ~ dark
3341 x 1 Apricot
3685 x 1 Mauve ~ dark
3712 x 1 Salmon ~ medium
Linen
The original sampler was stitched with cross stitch over two threads of linen with the exception of the word “heart” which is worked in cross stitch over one thread. For those wishing to stitch on Aida the word “heart” could be worked in backstitch or replaced with a small, cross stitched heart.
Mary used an uneven linen of approximately 33/30ct and cotton thread. The model was stitched on a Zweigart linen overdyed to the shade of Crème Brulée by Tabby Cat Linens. The design area is 249 stitches (w) x 249 stitches (h). Our calculations have included a 3" margin for finishing and framing.
28ct: Design: 17.79" x 17.79" Fabric: 23.79" x 23.79"
32ct: Design: 15.56" x 15.56" Fabric: 21.56" x 21.56"
36ct: Design: 13.83" x 13.83" Fabric: 19.83" x 19.83"
40ct: Design: 12.45" x 12.45" Fabric: 18.45" x 18.45"
46ct: Design: 10.83" x 10.83" Fabric: 16.83" x 16.83"
56ct: Design: 8.89" x 8.89" Fabric: 14.89" x 14.89"
Stitch Guide
The sampler is suitable for needleworkers of all abilities.
The original sampler was stitched with cross stitch over two threads of linen with the exception of the word “heart” which is worked in cross stitch over one thread. For those wishing to stitch on Aida the word “heart” could be worked in backstitch or replaced with a small, cross stitched heart.
Cross stitch ~ This is the most popular stitch in counted needlework. When working cross stitch, the top stitch should always lie in the same direction for a neat and uniform finish.